The camera is being reconfigured, so we have to rethink camera/subject relations. Not only is the thing itself disappearing, with production of one of the most emblematic objects of modernity halving in one year (thanks to Jason O’Brien from the ANU for that tip-off), but there are more and more signs that the shuttling back and forth of object and image is becoming a permanent enmeshment. Clothing is being engineered to resist the paparazzi’s blast. Kate Moss, one of the most papped women of all time, models a T shirt engineered just for her. Seemingly an innocent black T shirt, it briefly broadcasts ‘FUCK YOU CUNT’ when hit with a photographer’s flash, thereby supposedly rendering the image worthless in the celebrity marketplace (although, cannily, this anti-pap campaign only adds to Kate’s celebrity value). Apple have also just patented a ‘concert camera blocker’, which undermines one of the main uses of its own smart phones by emitting infrared signals from a stage disabling smart phone cameras, technologically enforcing ‘reality’ onto concert goers who may prefer their pop culture mediated. I’m sure there are other examples. We photo theorists are still too hung up on images and image ubiquity, we need to think about other dissolving technological categories as well.