Five Scenes for a Modern Prometheus

A video of the magic lantern performance I devised in collaboration with Elisa deCourcy, Alexander Hunter and Karen Vickery is now available for viewing online. We performed it at the ANU twice during September 2018, once in the Sir Roland Wilson Building at the Magic Lantern in Australia and the World conference, and once a week later in the NFSA ARC Theatre at the Frankenstein: Two Hundred Years off Monsters conference. It goes for about half an hour, and uses about sixty slides. I decided to hang it off Mary Shelly’s book because I knew we would be performing it for the Frankenstein conference. It was wonderful reading the book again after so long, and I picked out some choice quotes for Karen to intone at intervals through the five ‘scenes’, which begin in a scientific laboratory, and end lost in snow and ice, but otherwise have little to do with the story! I was initially going to commence with a moiré pattern chromatrope to set the dark mood, but I eventually decided to use the new chromatrope that Miheng Dong had cut from acrylic in the ANU Makerspace, working from a pattern coded by Kieran Browne. After that it wasn’t much of a leap to some microscopic slides of bacteria and bacillus from the Atlas of Bacteriology by Slater & Spitta, then after a ‘Flash of Lightning’ slide (Copyright T T Wing), with some great music effects from Alex, Elisa flickered up an anonymous slide of a monstrous skeleton using her fingers. We then dissolved to microscopic cross-sections of rectal cancer growths (!) originally used at the Westminster Medical School, which were also meant to look like aerial views of icy wastes. After Alex’s great music, Karen came into her own as we showed panoramic caricature slides dissolving into comic mechanical slides in the next scene. Her wetly mouthed responses to the slides as they came on the screen were fantastic. it was Elisa’s idea to project both of the Steward lantern simultaneously for a ‘tongue in ear’ sequence, and for a dancing skeleton sequence (with some skeletal EDM from Alex) during the next section of ‘monstrous’ mechanical slides. We used some temperance motto slides, a J W Beattie Port Arthur Slide, two slides from Jane Conquest, some hand painted slides, and an amateur double-exposed ghost slide for the next sequence, which required a lot of changing between carriers. For the final sequence we began ‘finger flickering’ between a group of slides which I originally thought were slides illustrating the Franklin North West Passage expedition of the Erebus, but which I now realise are simply illustrating ‘Arctic Phenomena’. We ended with my favourite slide from my collection, a hand painted slide of some Byronic figure roiling around in the snow, overlooked by a distant church perched high on an icy cliff. Elisa once again had the inspired idea of holding what I call our ‘Cardboard Ken Burns’, a piece of cardboard with a hole in it, in front of the lens, to ‘spotlight’ key elements of the scene. I couldn’t have done it with out Elisa, Alex and Karen, all of whom contributed inspired original ideas. The video was made by Amr Tawfik, who was able to handle the low light OK, and was able to give a good impression of the labours of Elisa, Karen, Alec and myself. The audience reaction to the first performance was good, we filled the room up with fog from a  fog machine before they entered, and they filled the basement room to capacity, and were well primed for the show. The audience reaction to the second show was more muted, for several reasons, the necessary intimacy of the performance was somewhat swallowed up by the larger space of ARC, and the audience was less primed as to what to expect.

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