Join Judy Annear, Daniel Palmer and Martyn Jolly at 2pm, Sunday, 27 March at Perimeter Books, 748 High Street Thornbury, Victoria. Part of the Melbourne Art Book Fair. Details.
This weekend, a magic lantern show out of the rain
As part of Dynamo Hub, one of Local Jinni’s contributions to the Surface Urban Art Festival, a performance of magic lantern slides and Pathé’s wonderful 1906 film Toto Exploité la Curiosite, beautifully restored by the NFSA. With Alexander Hunter, Rachael Thoms and Charles Martin. In Gorman Arts Centre, out of the rain. Tickets.
“ … this overlooked visual technology takes on new meaning in Elisa De Courcy and Martyn Jolly’s provocative and exciting book.”
Thank you Dr Felicity Barnes for you generous review in the Australian Historical Studies journal of Elisa deCourcy and myself’s book Empire Early Photography and Spectacle: The Global Career of Showman Daguerreotypist J. W. Newland
“At every turn, this book complicates our expectations of both Australian photography and its exhibition history.”
Thank you Professor Geoffrey Batchen for your rigorous review in the History of Photography journal of Daniel Palmer and myself’s book Installation View: Photography Exhibitions in Australia 1848-2020.
Postponed: Installation View Launch Upcoming at Centre for Contemporary Photography, Melbourne.
Postponed: Perimeter and CCP are thrilled to present a panel discussion to celebrate the publication of Daniel Palmer and Martyn Jolly’s major book Installation View: Photography Exhibitions in Australia (1848-2020), the result of an extensive research project. Hosted here at CCP the panel will feature Palmer and Jolly in conversation with Judy Annear, writer and Honorary Fellow at the University of Melbourne School of Culture & Communication, and Pippa Milne, Senior Curator at Monash Gallery of Art.
Seven Sydney Dystopias, 1993.
Pages 68 — 71 of west 6/7, 1993, ‘out of the intermix’, edited by Colin Hood (University of Western Sydney).
I can’t remember why Colin and I didn’t call it ‘Seven Sydney Heterotopias’, since it’s obviously inspired by Foucault. It was shot on my Linhof 6×9.
An ‘Australian art from archives’ article from 2014.
‘Big Archives and Small Collections: Remarks on the Archival Mode in Contemporary Australian Art and Visual Culture’, Public History Review, Vol 21 (2014), pp60-80.
David Wills, Wunderwall, installation of several thousand inkjet photographs at ANU School of Art Gallery, 4.5 x 26.25 metres, 2009
Review of ‘Installation View’ in the ‘Canberra Times’, 16 October 2021.
Listen to us in Conversation with Helen Ennis at PhotoAccess.
‘Installation View’ in The Conversation
Photograph by Leela Schauble. Courtesy the artist.
https://theconversation.com/friday-essay-10-photography-exhibitions-that-defined-australia-166755
Martyn Jolly 