A magic lantern show for the Lumiere Festival, Mount Victoria, April 2022.

The exhibition ‘Martyn Jolly’s Phantasmagoria of Magic Lanterns’ at the Canberra Museum and Gallery, 2020, was curated by Virginia Rigney, designed by Greer Versteeg, and installed by Gary Smith.
We displayed 560 slides in a large light box. Grids of 85x85mm square holes, each and 13mm apart, were laser cut into sheets of 4.5mm black acrylic. These were laid on 3mm clear backing acrylic, loaded with slides arranged in groups and sequences, and topped with a cover sheet of clear 2mm acrylic. The sandwiches were then taped around the edges and vertically held by a wooden frame against the inside doors of four bays a large display case. The front of the doors were covered with self-adhesive black vinyl except for the blocks of slides. The slides were lit from the front by ambient LED light, which allowed visitors to see the labels, and they were backlit through UV filtering film by fluorescent light bounced off the back wall of the case.
Interpretative handouts nearby were keyed with thumbnail images to allow visitors to find information and commentary about individual slides and slide sets within the overall grid.
As well as square glass slides, wooden mechanical slides were also displayed on glass shelves. These were lit from the front with LED lights, while the transparent painted glass images were lit from behind with electroluminescent panels trimmed down to size from 100mm x 100m sheets. The colour of each EL panel was corrected with an 81a photographic filter, and UV filtered with film. Each sandwich of EL panel, filter and UV film was lightly attached to the rear of the slide with conservation tape and individually wired into a low voltage circuit.
These displays were augmented with:
Interpretive text was included in the digital projection:
For more information search Heritage in the Limelight
An installation of Canberra travel brochures for the 1920s to the 1980s, each covered by a sheet of A4 paper in which had been cut a small window strategically revealing a hapless Canberra citizen, unwittingly conscripted to take part in the civic vista of the photograph, which remained obscured.
Photographed, in colour and black and white, from the pages of Australiana picture books with a Linhof camera. First exhibited at the Centre for Creative Photography, Melbourne, then at the Museum of Contemporary Art in an exhibition called Sydney Photographed.
The Sports Pages, 2000
Framed and matted pages from newspapers. Each sports page was framed and matted in its entirety, with windows strategically cut to reveal crucial deatails of the sports photographs. Exhibited at the Museum of Contemporary Art, Sydney, in 2000 in an exhibition Sporting Life.